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It was the only version they had, which surprised me. Guess I should’ve used Yush’s link.
It also contains a very extensive interview with … That moral objectivity is mirrored by a kind of aesthetic objectivity, this isn't looking to engage your adrenal gland but merely present the truth, controversial perhaps but nevertheless true, and is able to cut through that controversy with enormous clarity. Teaching me they were radicals and that “radical” was a bad word, offering them up as the “what about black supremacy” mirror to the KKK. Newton, the charismatic young college student who, along with Bobby Seale, created the Black Panther Party, had been jailed for allegedly killing a police officer.
His arrest–widely believed at the time to be a setup–galvanized Party support throughout the nation and led to a boom in Party membership, bringing a new level of public attention to the Panthers’ cause.
agnes varda knows that sometimes the most powerful gesture in filmmaking is simply to let people speak.I will never get over how insidious my schooling and general social education was when it came to understanding the Black Panthers. A bit clinical, even if it's an informative time capsule that captures how the Panthers existed in 1968. A snapshot of the Black Panthers during their protests to free Huey Newton, this film lets them speak. In its decisions to focus on their words about themselves, it lets them determine their own identities on screen, even as what questions asked and topics addressed still direct from the other side of the camera.
We want to free Huey Newton!
Guess I should’ve used Yush’s link. I grew up with this image of Stokely in my mind and it is a powerful one but I watched this the other night and I came away with a real shock, not over how radical the Panthers were but how their ten points were actually not radical at all. When they talk about their hair, there's no attempt to turn that into anything more than what it is. I will cherish her and her work forever. Eurocentricism or a calculated political move? Tom obtint d’interviewer Newton en prison.
Agnès Varda turns her camera on an Oakland demonstration against the imprisonment of activist and Black Panthers cofounder Huey P. Newton. varda presents the party in a light of which much of america, specifically white america didn’t see it at the time. This riveting documentary, transports you to the pivotal Free Huey rally held on February 17th, 1968, at Oakland Auditorium in Alameda, California.
This isn't perfectly…Short but immediately enlightening. in the 30 minute film she has members break down the ideologies and they detail what they stand for as a party and how they combat racism and discrimination. Eurocentricism or a calculated political move? I will cherish her and her work forever. Unless it was English originally and later dubbed over in French. This riveting documentary, transports you to the pivotal Free Huey rally held on February 17th, 1968, at Oakland Auditorium in Alameda, California. E entrou. This riveting documentary, transports you to the pivotal Free Huey rally held on February 17th, 1968, at Oakland Auditorium in Alameda, California. Black Panthers. always in progress.The Battle of Chile Part One represents all three parts. Varda’s movie may not provide the full picture of the Black Panthers’ struggles, its violent confrontations, or the leadership challenges that threatened its long-term survival.
They wanted to end the practice of gentrification. Agnes Vardas short documentary, Black panthers, follow the campaign to exonerate Black Panther leader Huey newton for police murder, in addition to showing the prominent role of women in the movement. When they talk about their military training, there's no demonizing or sermonizing.
Regardless it helps the film carry an extra punch.one of the mission statements of the black panthers here is for an end to police brutality against all black people and over 50 years later we're still protesting the exact same thing. When they say they are a Marxist Leninist organization, there's no attempt to distort what that means. my friend demi has been recommending movies currently available to…This list is for movies, shorts, or mini-series directed or co-directed by women. 1968 Directed by Agnès Varda. This doc chronicles the early history of the Panthers thru the "Free Huey" movement. Nothing has changed.a brief documentary shot beautifully on 16mm and is one of the first pieces to preview the black panther party in oakland, california during the imprisonment of huey p. newton. Decidedly contrary to what my 10th grade American history teacher (who primarily coached JV basketball) taught me about the black panthers.Different from supposedly objective journalistic or documentary approaches to this kind of material because of the moral truths it takes for granted - that black people are oppressed in the United States, that the police are violent tools of that oppression, that racism is systemic and at the root of not just that oppression but the entire legal and law enforcement structure itself. Varda aproveita a oportunidade de filmar um evento histórico(a prisão do Huey) para mostrar as intenções dos Panteras Negras e como sua organização estava os tornando um grupo diferenciado e que certamente iria pra entrar pra história.
There are times when being objective doesn't mean to not take a side, but to take the right one.the chest burster scene from alien except it's not an alien busting out, but my love for agnes vardaReport from the frontline. Varda let these people speak openly without judgement and created an eternal and honest capsule of the time. Recs welcome!Everything on the brand new Criterion Channel Streaming service. She has once again proved herself as one of our greatest directors and truly demonstrates the power of filmmaking. That moral objectivity is mirrored by a kind of aesthetic objectivity, this isn't looking to engage your adrenal gland but merely present the truth, controversial perhaps but nevertheless true, and is able to cut through that controversy with enormous clarity. E entrou. Agnes Varda is most celebrated as the lovable storyteller of “Faces/Places” and the New Wave auteur behind “Cleo from 5 to 7,” but in 1968, her career took a detour.
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