Very much a family-endorsed affair, one prominently populated by her husbands, children and friends, The essentials of Wood’s life are related in general terms in the film’s first act. But everyone appears to draw a dark line in the sand that Wood wasn’t necessarily troubled herself.It’s almost ironic that despite the attempts to give “What Remains Behind” a more authentic mien, so much remains mired in conjecture and hearsay. All rights reserved.
Considering how sanitized “What Remains Behind” is with regards to Wood’s rebellious tendencies it’s a strawman argument to situate Wood against famous self-destructive stars.
Seeing home video of Wood with her daughters, step-daughter, and stepsons, is beautiful and is enough to remind you of why Wood has endured for so long: she was normal.Hearing about Christmas gatherings, boat trips, and seeing Wood dote and kiss her children shows the beating heart behind the actress. Wagner became a “person of interest” in a case that will likely never entirely be put to rest, although the most plausible theory would seem to be that Natalie fell into the water while she was trying to tie up an errant dinghy that was banging against the side of the yacht.Overall, the film has the feel of a mutual enterprise that the entire family was pleased to bring into being, and Wood herself comes off well as a hard-working and sensible professional who was more dedicated to her family than was the norm in Hollywood circles.
Natalie Wood was a movie star for 35 years and she’s now been gone for longer than that, so this fulsome account of her career and life is an entirely welcome arrival.
As a result, it’s easy to see why Wood herself was such a devoted mother and kept her children out of the public eye. She could be referring to the mysteries around Monroe and Presley’s death but, even then, the argument is tenuous.For classic film fans who consume any Old Hollywood media, “Natalie Wood: What Remains Behind” is light on new revelations — but is a sweet eulogy from a daughter to her mother. The juxtaposition of these facts is a highlight of the new HBO documentary Natalie Wood: ... an in-person interview with Gregson Wagner and Bouzereau after it screened at Sundance … Friends and colleagues, from Mia Farrow to Richard Benjamin, are interviewed, all championing Wood’s inner light and her ability to always be on for the cameras.
After a five-year layoff from films after Inevitably, the tragic night in November 1981 off Catalina must finally be confronted in full, or at least as comprehensively as Wagner sees fit to describe it. The talking heads consider it little more than a naughty attempt by Wood to be an adult, with the overall tone being ‘times were just different then.’ The allegations of rape against a teenage Wood, documented in Suzanne Finstad’s comprehensive biography on the actress, doesn’t even warrant a mention.The documentary’s third act sees Gregson-Wagner sit down with stepfather Robert Wagner for an in-depth discussion about Wood’s final days.
(Photo courtesy of HBO Documentary Films.) Adding insult to injury is Wagner’s wife, Jill St. John, comparing Wood and her death to Marilyn Monroe and Elvis Presley. “Natalie Wood: What Remains Behind” is at its best when it eschews Wood, the celebrity, and focuses on Wood, the mother. They and other participants describe a not-uncomplicated but bountiful and, in the end, close-knit family life, and the subject herself comes off as friendly, well-balanced and un-neurotic, certainly by Hollywood child-star standards.Veteran Hollywood documentarian Laurent Bouzereau (But after skating through this eventful life one time, up to her shocking death by drowning at age 42, Bouzereau flips the calendar back to the beginning to take a more detailed and probing look at some of the underpinnings of what we’ve just seen and heard.There’s talk of the pressure young Natalie felt from the earliest age to earn money for her family; the strong suggestion of initiation into sex and drugs provided the 15-year-old by Intimations of suicidal moments pop up, although these are hard to square with her devotion to her family.
There are some who will see this as the “Robert Wagner apology tour” — and there’s no doubt they’ll take what he says with a grain of salt.But there’s something to seeing Gregson-Wagner and the man she calls “Daddy Wagner” talking that is emotional and it’s hard not to be as well. Copyright © 2020 Penske Business Media, LLC. As if rogue news journalists are single-handedly the reason for an interest in Wood’s death? Natalie Wood: What Remains Behind explores actor Natalie Wood's life and career through the unique perspective of her daughter, Natasha Gregson Wagner, and others who knew her best. A documentary revels in Natalie Wood's homespun sensual charisma, but it's also haunted by her death, which it does little to shed light on. Wood’s youngest daughter lost her mother at the age of seven and is incredibly frank about her struggles with drugs and alcohol but, what’s even more affecting, is hearing Courtney discussing how she feels dissociated from her mother. The film’s biggest villain is Wood’s own mother, Maria Zudilova Gurdin, a hypochondriac described as so desperate for attention she’d fake a seizure.
You get a glimpse of her love for others and that love disappearing is acutely felt, particularly in the interviews with Wood’s other daughter, Courtney Wagner.
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