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As it turns out, it is the same crisis. The vision leads him to re-encounter a glorious moment on a beach with Saraghina, the prostitute and outcast to whom he went as a curious child, creeping out of his Catholic boarding school St. Sebastian, to ask her to tell him about love. "Franchi: Italian to the 'Nine'." Marshall had previously directed Chicago for the Weinsteins while they were still at Miramax. And these are the women Guido has loved, and from whom he has derived the entire vitality of a creative life, now as stalled as his marriage. (June, 1984) Advertisement. In the 2003 Broadway production, as the boy led the women off into his own future to the strains of "Be Italian", Luisa steps into the room on the final note, and Guido turned toward her—this time ready to listen. In 2008, a short "teaser" for the film was featured in an episode of the Food Network show, Barefoot Contessa, with the host, Ina Garten, making breakfast and lunch for her friends, producers John DeLuca and Rob … The improvised movie is a spectacular collision between his real life and his creative one—a film that is as self-lacerating as it is cruel, during which Carla races onto the set to announce her divorce and her delight that they can be married only to be brutally rejected by Guido in his desperate fixation with the next set-up, and which climaxes with Luisa, appalled and moved by his use of their intimacy—and even her words—as a source for the film, finally detonating with sadness and rage. Claudia explains that she loves him but he seems to be a man who does not know how to love ("Unusual Way"). Unable to bear the incomprehensible dread of the adults, the little boy runs back to the beach to find nothing but the sand and the wind—an image of the vanishing nature of love, and the cause of Guido Contini's artistry and unanchored peril: a fugitive heart. Escaping to a Spa Hotel on the Italian coast, he receives a phone call from Carla, his mistress ("A Call from the Vatican") seducing him as he listens on the other end. Luisa watches from afar as Guido is slowly raised high on a crane and calls, “Action!” Print!" Foil, David. Meanwhile, Guido meets with Lilli, his costume designer, and begs for inspiration, confessing he has no script. "En Harde / Notes from all over." As it turns out, it is the same crisis. Guido confesses that there is indeed no script, but he needs her to inspire one. However the new producers (James Nederlander and On December 12, 1996, a small-scale production directed by The Greek production opened in theatre Pantheon in Athens in November 2015, starring Vassilis Charalampopoulos as Guido, Helena Paparizou as Saraghina. Later, she arrives at the spa, expecting to share his suite, but is upset to learn that she is staying in a shabby pensione by the train station. Distraught, he has a vision of his mother singing him a lullaby when he was young ("Guarda La Luna"). Guido Contini, famous Italian film director, has turned forty and faces double crises: he has to shoot a film for which he can't write the script, and his wife of twenty years, the film star Luisa del Forno, may be about to leave him if he can't pay more attention to the marriage. In an attempt to find some peace and save the marriage, they go to a spa near Venice (Spa Music), where they are immediately hunted down by the press with intrusive questions about the marriage and—something Guido had not told Luisa about—his imminent film project (Not Since Chaplin).

When his leading lady, Claudia, arrives and senses there is no written script, she and Guido go for a drive. He embraces her and wishes her a happy birthday. It was a really surreal experience.' As of June 2020 As she embraces him, the phone rings and he is called away to help Carla, who has overdosed on pills in a suicide attempt. Drake, Sylvia. Lilli urges him to use his film to entertain, inspired by the Back at the Spa, at dinner, he is happily surprised to see his wife Luisa. Guido Contini, famous Italian film director, has turned forty and faces double crises: he has to shoot a film for which he can't write the script, and his wife of twenty years, the film star Luisa del Forno, may be about to leave him if he can't pay more attention to the marriage. Day-Lewis already knew some Italian (although he admitted not studying for the role at Q&A session for Screen Actors Guild) he frequently spoke the language in and out of character. Later, in Rome, he phones Luisa from the studio and begs her to come to view screen tests the next evening. But, as the gun is at his head, there is a final life-saving interruption—from his nine-year-old self (Getting Tall), in which the young Guido points out it is time to move on. He cannot love her that way. Luisa's efforts to talk to him seem to be drowned out by voices in his head: voices of women in his life, speaking through the walls of his memory, insistent, flirtatious, irresistible, potent. (May 21, 1984). "Cut. And he's talking to us as Guido Contini. "Dallas / Theater / 'Nine' at Dallas Majestic June 5–17." Carla, with "Simple"—words from the articulate broken heart, Claudia with a letter from Paris to say that she has married, and Luisa in a shattering exit from a marriage that has, as she says, been 'all of me' (Be On Your Own). He cannot fathom the rejection. For their participation, the workshop cast was given a small percentage of the show for a limited amount of time. "Franchi: Italian to the 'Nine.'" And Guido surrenders the gun. Her answer, be yourself (Ti Voglio Bene / Be Italian), and the dance she taught him on the sand echoes down to the forty-year-old Guido as a talisman and a terrible reminder of the consequences of that night—punishment by the nuns and rejection by his appalled mother (The Bells of St. Sebastian). thereby involuntarily giving Guido the very inspiration he needs and for which has always looked to her.

Harper, Hillard. The film soundtrack peaked at number twenty-six on the Billboard 200. Guido demands Carla to leave, which leaves her heartbroken.

As the women return in a reprise of the Overture (Reprises), but this time to let him go, only one is absent: Luisa.

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