";s:4:"text";s:4816:" Louise Glück 2006. Louise Glück’s poetry has been remarkably consistent, both in its controlled, spare, laconic language and in its thematic interests. Both end up with evidence—the mother’s photograph, Glück’s poem—that proves them wrong.The idea that you could write poems with the subjectivity subtracted has a proud twentieth-century provenance, passing through Ezra Pound, William Carlos Williams, and the American Objectivist poet George Oppen. From 2003 to 2004, she was Poet Laureate of the United States. Seit 1968 hat sie zehn Gedichtbände veröffentlicht, für die sie zahlreiche Preise erhielt, u.a. . In addition to most of the major awards for poetry in the United States, she has received multiple fellowships from the Glück's poems have been widely anthologized, including in the Glück has been a visiting faculty member at many institutions, including Glück's work has been, and continues to be, the subject of academic study. Angry, though he’d never hit her, never say a word, probably. We know these stories by heart; we see what’s coming for these poor souls. Louise Glück 2006. The Wild Iris (audio only) Louise Glück 1992. Much of life, for Glück, is livable only when hostile factions lay aside their arms; it is a view of social life as driven not by altruism but by truce, and it was formed in that home.“Firstborn” (1968) is the title of Glück’s first book. Outside her poems, much noisy history has occurred, this past half century. Save this story for later. Almost right away, she banked hard and found the unimpressionable style that she has more or less held on to, though with many extensions added over the years. A sister died before Glück was born. (Glück has written about her admiration for the latter two.) Her papers, including manuscripts, correspondence, and other materials, are housed at the Glück is best known for lyric poems of linguistic precision and austere tone. It seemed unthinkable for the poet of “Still Life” to write the kinds of poem that Glück wrote in “Ararat” (1990), her book about the death of her father. By Dan Chiasso n. November 5, 2012. Frieden. Wir haben so viel Liebe auf dieser Welt, so viel Liebe in unseren Herzen. But all that severity is paying some tremendous dividends now, in a poet who has been on record about misery all along. . The resulting poems seem spoken by some nonhuman sentience. But I’m still ready to be enticed. Vespers.
But the only sound is the sound of the waves pounding the shore— angry. Her father helped invent the X-Acto Knife. Blue sky fills the window. In “Meadowlands” (1996), she became fully, elastically human inside these inflexible templates; that’s how the irony registers. Louise über Liebe, Harmonie, Selbstwertgefühl, Selbstliebe, Inspiration, Beziehungen, Vergebung, Glück, positive Gedanken, Frieden, Heilung, Gesundheit … Liebe.
Nobody did disembodied ferocity or eerie force better than she did, but life was drawing a wider and wider circumference around the fixed foot of her voice. Glück's father was the first member of his family born in the United States. That doesn’t mean the walk’s endpoint (the poem’s subject) is finally irrelevant to the pleasures of the stroll (the poem). Indeed, the elation now often comes across and it seems to me I have never been in better voice;We understand from the fussy diction and from the jokes that this is not a person given to spasms of rapture; as with many such passages in her poems, a fundamental asperity, never surrendered for very long, makes her sudden joy all the more moving.There’s plenty to be sad about in Glück’s recent work; we expect her to be adept at delivering bad news. You may need to download version 2.0 now from the And that is the entirety of “Still Life.” This is family life depicted twice: by the mother, through her camera, and by Glück, through this poem. Glück’s poetry once had the intensity of hoarded power; her poems from the nineties spread the power around.The great subject, if you’ve decided we’re all careering toward oblivion, is joy: how and why do we feel it? Son: Noah (b. circa 1973)